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Book, Music & Lyrics By Wendy Bichel

Bikers in Camelot is a four character musical romp, a romantic fable with a super natural twist and a lush score.

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REVIEW

"Bikers in Camelot had its premiere in the multicultural city of San Miguel de Allende, Mexico, and was undoubtedly the most successful theatrical engagement in that city’s history. There were standing ovations nightly and people were coming back to see it two and three times. I myself found the show irresistible — charming premise, funny and sophisticated book, smart lyrics, and hummable melodies. It merits a much larger audience, and a spot in the standard repertoire of small-cast musicals."

— Fredric Dannen, Billboard 

THE STORY

Michael and Holly, both authors, are soul mates. But Holly is suffering from writer’s block and it’s creating a lot of stress and doubts about their live-in relationship. Secretly, they have each taken to fantasizing about the main characters in their books. When Michael suddenly proposes to Holly, all hell breaks loose. In the throes of a nasty fight, they unwittingly materialize the characters with whom they’ve fallen in love. What ensues is a crazy and enlightening night in which the two learn to “be careful what you wish for.” Of course they rediscover each other . . . but their dream lovers aren’t going anywhere. 

SCORE

PERFORMERS

Holly : Santa Claire Hirsch | Michael : Joshua David Cavanaugh | Kevin : Magnus Dorholt Kjeldal | Caroline : Clara Dunham

"Hidden in the Shadows"
Michael : Teddy Brunetti | Holly : Cass Morgan

SCORE
SYNOPSIS

SYNOPSIS

ACT I

Michael writes biographies of famous Victorian women and just received a hefty advance for his latest, about Virginia Wolf’s mother, Julia Princep Steven. He’s been waiting for his own success to ask Holly, his live-in writer girlfriend of three years, to marry him. Now, he’s finally bought the ring. Holly, a successful writer of chivalric sci-fi/fantasy, is suffering from writers’ block and blames it all on Michael. Although she loves him, she has decided he lacks an adventurous soul. She knows she shouldn’t, but she has been fantasizing about the hero of her books, the Dark Angel, an intergalactic knight addicted to danger. When Michael proposes, Holly has a melt down and accuses him of trying to trap her. They are in the middle of a nasty battle when a motorcycle, ridden by a black knight, bursts through the wall of their loft. The rider, Tonio, apologizes and explains that he’s a stunt man working on a film down the street. He recognizes Holly from her book jacket photo and invites her for a ride on his bike. Abandoned, Michael begins fantasizing about his own perfect mate, a paradigm of Victorian virtues. Suddenly, Caroline, a timeless mystery woman, steps out of a neighborhood phone booth he’s never even noticed and offers him the kind of tender devotion he’s always imagined. Holly returns home, where she is skillfully wooed by Tonio, who makes her feel alive again. She and Michael are head over heels . . . but not with each other. Michael returns to the loft with Caroline and introduces her to Holly and Tonio, whom he caustically refers to as Sir Machismo of Camelot. Holly snidely asks Michael who his little housefrau is. But all in all they are well behaved and without a clue that they are face to face with their own creations. In a very civilized fashion, the two of them agree to give each other the space to pursue something more realistic.

ACT II

Tonio and Caroline soon notice that Holly and Michael are beginning to lose interest in them the way they are and unconsciously trying to change them. Caroline finds herself losing some of her Victorian virtues and Tonio, much to his own disgust, is becoming vulnerable. Finally, they’ve had enough; even a fantasy should have a bottom line. Prepared to risk everything to recover their own integrity, they fire their creators. Stunned, Michael and Holly find themselves back together, and very grateful for it. They ask forgiveness for holding one another up to the ridiculous standards of their fantasies and rekindle the passion they had when they first met. But Tonio and Caroline are not going anywhere. They accuse Holly and Michael of being imposters who have broken into Tonio and Caroline’s loft. The four fight a duel and Tonio is wounded. Upon seeing his own blood, he knows he has realized his greatest desire – he and Caroline are no longer fantasies; they are alive. Energized, the two take up their weapons again and drive Holly and Michael out of their loft, all the while lecturing them on how badly they’ve treated each other. Michael and Holly wind up on the street where they reclaim their perfectly imperfect love. They are each unsure about ever writing again. Having the power to unwittingly manifest their characters in the real world is too terrifying. But their commitment to each other is stronger than ever. Caroline and Tonio, realize they have much more in common than immaculate conception, and declare their deep love for each other.  They dedicate their lives to becoming heroes in a world that badly needs more heroes. They forgive their creators and even invite them to come along on their quest. When Michael and Holly agree, Caroline suggests they have a double wedding. As the sun rises, they seal their vows and ride off to right the world’s wrongs – Bikers in Camelot forever.

Book, Music & Lyrics

Wendy Bichel

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Wendy Bichel began singing jazz professionally at the age of fourteen. After graduating from Stanford in creative writing, she sang in Europe for three years, then moved to NYC and began a career as a singer-songwriter. Her first musical, Love, Sex & Rock & Roll, won her a full fellowship from the famed MFA Program in Music Theatre Writing at NYU, and was commissioned by Gail Merrifield Papp of the Public Theater. The Public later commissioned Give Me Your Eyes, for their first festival of ten-minute musicals. Wendy Wonder and the Permanent Wave, about Miss Subways, was produced at the popular cabaret S.N.A.F.U. in NYC. The Garden of Katan, a fantasy opera, was a collaboration with composer Andrew Wilder. She wrote book, music and lyrics for Dream Lovers, about fantasy in relationships — a favorite theme. Emir’s Adventures, a children’s musical, presents a palatable approach to death. The Millennium Medicine Show — The Goddess Returns, a hybrid musical/pageant, allowed her to work with the Tent Master of Cirque du Soleil. Something Borrowed, Something New, a jazz memoir, was produced at the Santa Ana Theatre in San Miguel de Allende, MX. Bikers in Camelot, also produced in San Miguel, had its international premier in 2018 and was described by Fred Dannen, of Billboard, as “irresistible — charming premise, funny and sophisticated book, smart lyrics, and hummable melodies. It merits a spot in the standard repertoire of small-cast musicals." Bichel is currently working on Are You Dying to Live with Me, a two-character vampire musical, that looks at the pros and cons of immortality.

WRITER
SCRIPT
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SCRIPT

Click on the feather to view the script

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The script is password-protected, please use the form below to request the password from Wendy.

 

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CONTACT

CONTACT

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Please email Wendy Bichel at wendybichel@gmail.com or use the form below.

Thank you. Wendy Bichel will be in touch soon.

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